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Sir Thomas Lawrence The Duke of Wellington mounted on Copenhagen as of Waterloo oil painting


The Duke of Wellington mounted on Copenhagen as of Waterloo
Painting ID::  72274
Sir Thomas Lawrence
The Duke of Wellington mounted on Copenhagen as of Waterloo
The Duke of Wellington mounted on Copenhagen as of Waterloo Painted in 1818 by Sir Thomas Lawrence Private Collection Earl Barthurst Oil on canvas, 396.2 X 243.8 cm cjr

   
   
     

Sir Thomas Lawrence Sir John Soane oil painting


Sir John Soane
Painting ID::  72859
Sir Thomas Lawrence
Sir John Soane
Sir John Soane - Oil on canvas - Sir John Soane's Museum, London cjr

   
   
     

Sir Thomas Lawrence Portrait of Miss Caroline Fry oil painting


Portrait of Miss Caroline Fry
Painting ID::  73793
Sir Thomas Lawrence
Portrait of Miss Caroline Fry
Date between 1820(1820) and 1830(1830) Medium Oil on canvas Dimensions 75.9 X 63.5 cm (29.88 X 25 in) cyf

   
   
     

Sir Thomas Lawrence Thomas Lawrence John Soane oil painting


Thomas Lawrence John Soane
Painting ID::  74637
Sir Thomas Lawrence
Thomas Lawrence John Soane
Description Thomas Lawrence John Soane.JPG Sir John Soane - Oil on canvas - Sir John Soane's Museum, London cyf

   
   
     

Sir Thomas Lawrence The Children of Sir Samuel Fludyer oil painting


The Children of Sir Samuel Fludyer
Painting ID::  75057
Sir Thomas Lawrence
The Children of Sir Samuel Fludyer
1806(1806) Oil on canvas 237 X 148 cm (93.31 X 58.27 in) cjr

   
   
     

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     Sir Thomas Lawrence
     1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

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